This portrait of Matchbox 20 is simply stunning. Ping stretches the detail from the foreground to far into the background slowly fading into nothing at all.
As the Gulf oil spill has been seemingly cut off I figured I’d find a nice piece of art that forces us to remember that the long-term effects of this tragedy are far, far from over.
Molly’s work is really interesting to me in that she seems to focus on the hardest areas (for me at least) and allows the rest to fade away around the edges.
Love at first sight.
The parts that should be detailed out are and the parts that shouldn’t aren’t. For me that is a really hard target to strike but Terry has done that here masterfully.
Look carefully for the texture. That’s what makes this one great.